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Paul
Monday, September 21, 2009
Monday, July 7, 2008
YOUTUBE video Nicaraguan Ceramic Artist Luis Gutierrez
Hamptons Television WVVH did a six minute feature on our display at the East Hampton Art Festival this past 4th of July weekend.
The video features some great sculptures by Luis Gutierrez and Gregorio Bracamonte. My narrative explain quite well the history and process with a couple of dozen "ummms" in between.
Check out the video!
The video features some great sculptures by Luis Gutierrez and Gregorio Bracamonte. My narrative explain quite well the history and process with a couple of dozen "ummms" in between.
Check out the video!
Tuesday, July 1, 2008
DVD Video - Three Generations - The Ceramic Art of Nicaragua
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The only video documenting the ceramic artisans of San Juan de Oriente, Nicaragua I am aware of is a home made documentary video Three Generations - The Ceramic Art of Nicaragua. The video documents the current artisan environment of the San Juan pueblo.
An important development in the marketing of the work of this artisan community is that it be linked with other indigenous communities of the South West and other Indian traditions. Because Nicaragua's cultural past is very sparsely documented there is very little written that will assist the educational process associated with linking the modern work of the San Juan artisans to an ancient past.
Because so much is known about the Maya linking the cultural heritage of this Nicaragua pueblo to the Maya is quite natural. As the video documents in a trip to the site of Copan in Honduras, this is the southern territory of the Maya what was happening further south?
The link to the Maya is further expanded by the link of the Maya and the Nicoya tribes of modern day Nicaragua and Costa Rica. The DVD starts with a conversation with Don Gregorio Bracamonte known in the village for recuperation the lost decorative style of the Nicoya. Over the years I have seen many ancient Nicoya sculptures in museums such as the Museum of modern History in NYC, even the local North Carolina Museum has a significant jaguar sculpture...in every single example the work is associate with Costa Rica. Actually I have not seen Nicaragua listed in any major museum regarding the ancient cultures of Central America.
That reality is what sparked the idea for the video. As the market developed for the Three Generation artists the project came together and I produced in with a friend in Virgina Beach, Cory Langley. The video documents the recapturing of the historic design and technique. Just as important it explains the contemporary transition introduced by Helio Gutierrez picked up by the third generation artists and now expanded upon throughout the community by the dozens of work shops in the village.
I will be placing the full 21 minute documentary online soon as the original 2000 copies I had made are almost gone. If you are interested in a copy contact me. Paul (919) 264-3741 or by e-mail: gallerynica@yahoo.com
Monday, June 30, 2008
Nicaragua Pottery in the News
Article regarding our space at the Grand Central Holiday Market - NY Times
Article written in the News & Observer in Raleigh, NC before the Artsplosure event
Article recent written in the Hampton Roads bilingual paper recently
Article written in the News & Observer in Raleigh, NC before the Artsplosure event
Article recent written in the Hampton Roads bilingual paper recently
935 Miles: Zebulon, NC to Bartlett, IL
We left Friday morning to go to the Bartlett Art Festival, 935 miles we arrive. We were in Detroit at the Royal Oak Clay & Glass show, an awesome festival right outside of Detroit. We had planned to stay up north for the two weekends but between selling so much work at Royal Oak and wanting to go home we ended up driving all the way to the Chicago area on Friday.
We gas prices up so high and the van getting about 13.5 miles to the gallon we had a $450 trip. The festival was pleasant but the attendance was quite low and rain disrupted the festival both days. We did end up selling a fair group of sculptures and the weekend in Royal Oak the weekend before made up the difference.
The mayor of Bartlett presented Luis Gutierrez the Mayors award.
We gas prices up so high and the van getting about 13.5 miles to the gallon we had a $450 trip. The festival was pleasant but the attendance was quite low and rain disrupted the festival both days. We did end up selling a fair group of sculptures and the weekend in Royal Oak the weekend before made up the difference.
The mayor of Bartlett presented Luis Gutierrez the Mayors award.
Saturday, June 28, 2008
Nicaraguense - The beginning of it all.
Nicaraguense started in Raleigh, NC in October 1998. I had brought some items back from Nicaragua to decorative my friend Chris’s new coffee shop Cool Beans in Oradell, NJ.
I personally opened shop in the weekend flea market at the State Fair Ground in Raleigh, known for its antique exhibitors and collectors. After two successful weekends there I flew back to Nicaragua and started making the alliances that has fueled our business up until today.
My wife Claudia and I would take our daughter Sarah in her little play pen to area flea markets. Sarah is nine years old now and we are still at it.
The significant change occurred when San Juan artist Miguel Maldonado called me from Virginia wanting to sell some pottery he had brought from Nicaragua. I set up an exhibit with a small museum in Wilmington, NC which turned into a demonstration which was very well received and quite successful from a sales perspective.
My first official sponsored artisan visit was in September 2001 with Juan Boza Gutierrez. Arriving from Nicaragua on September 6 one week before the events of September 11th would completely change the landscape. Our events went well and we began to learn the ways of the traveling art exhibit.
Over the past seven years I have organized over 20 artist visits for the Three Generation artists. We have seen the highs and lows associated with market changes, long journeys and mixed results. The one under lying truth of our experience has been the positive reaction of the clients we have served and their contentment with the artwork they have secured from us over the years. Happy customers have supported us time and time again as we continue to build our collector base.
As me and my family prepare to return to Nicaragua on a part time basis I reflect on where we started and where we now stand. So much has changed while the basis of our efforts remain the same…….supply our customers with the most exciting ceramic sculpture possible while elevating the economic security for participating artists and their families.
I personally opened shop in the weekend flea market at the State Fair Ground in Raleigh, known for its antique exhibitors and collectors. After two successful weekends there I flew back to Nicaragua and started making the alliances that has fueled our business up until today.
My wife Claudia and I would take our daughter Sarah in her little play pen to area flea markets. Sarah is nine years old now and we are still at it.
The significant change occurred when San Juan artist Miguel Maldonado called me from Virginia wanting to sell some pottery he had brought from Nicaragua. I set up an exhibit with a small museum in Wilmington, NC which turned into a demonstration which was very well received and quite successful from a sales perspective.
My first official sponsored artisan visit was in September 2001 with Juan Boza Gutierrez. Arriving from Nicaragua on September 6 one week before the events of September 11th would completely change the landscape. Our events went well and we began to learn the ways of the traveling art exhibit.
Over the past seven years I have organized over 20 artist visits for the Three Generation artists. We have seen the highs and lows associated with market changes, long journeys and mixed results. The one under lying truth of our experience has been the positive reaction of the clients we have served and their contentment with the artwork they have secured from us over the years. Happy customers have supported us time and time again as we continue to build our collector base.
As me and my family prepare to return to Nicaragua on a part time basis I reflect on where we started and where we now stand. So much has changed while the basis of our efforts remain the same…….supply our customers with the most exciting ceramic sculpture possible while elevating the economic security for participating artists and their families.
Wednesday, June 25, 2008
San Juan de Oriente, Nicaragua
San Juan de Oriente, Nicaragua has a pottery tradition that dates back thousands of years. Originally known as San Juan de los Platos for the plates and traditional cooking vessels that were being crated there.
The rich muddy clay is dug within and around the pueblo and is clearly the reason that the pottery tradition has such strong roots.
The ecological environment around the pueblo is very favorable for indigenous tribes to thrive in the hills above the Laguna de Apoyo.
In the late 70's the community of San Juan de Oriente started to recapture there indigenous art form. International assistance mostly by Spain brought contemporary design and technique to the native traditions.
The work of Gregorio Bracamonte to recapture the lost decorative style of the Nicoya was a defining moment for the community. Many years of experimentation came together an Don Gregorio began to teach community artisans.
The community of San Juan de Oriente now has moved toward a more contemporary style of pottery mixed in with techniques for time gone by. Many of the designs of the pueblo are of Maya, Nicoya and other local ethnic cultures.
The pueblo has gone through an economic renaissance of sorts as over the past 10 years an international market place has opened up for the ceramic arts of the peublo.
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